00 Working file · the process
From blank page to live campaign
Every ad I make goes through the same eight stages. Scroll to follow one film through all of them.
Mashood Ahmad
I write, prompt, generate and edit every frame myself: UGC ads, cinematic commercials, Pixar-style animation, AI influencers and short films that run as live campaigns.
Now playing DRYP — 30s Commercial 00:00:00:00
Every video plays right here. Pick a genre or watch them all.
Not only AI. I edit too: the cut, motion graphics, captions, colour and sound, for brands, clinics and hiring campaigns.
Sharing how AI films and ads are made, from the first prompt to the final cut.






I have made work in every one of these. Tap a genre to watch it.
INT. KITCHEN — NIGHT
A phone glows on the counter. MARGARET (70s) reaches for it and misses.
MARGARET (V.O.)
"If I fell tonight… who would even know?"
↑ HOOK · 0:00–0:02
CLOSE ON: the wristband. A single red light.
NARRATOR
One press. Help is on the way.
CUT TO:
1// SHOT 07 — the reveal 2subject: "Russ Hale, 50s, TSA uniform, tired eyes" 3ref: @cast/russ_hale.png 4lens: 35mm, shallow depth, f/1.8 5light: cold fluorescent, red exit sign rim 6camera: slow push-in, handheld drift 7mood: tense, quiet, "something is wrong" 8format: --ar 16:9 --dur 5s --seed 4471
Original music released as MK Vines
polaroid.jpg00 Working file · the process
Every ad I make goes through the same eight stages. Scroll to follow one film through all of them.
01 Research · the brief
Before I write a single prompt, I study what already works in the niche: the hooks, the pacing, the audio and who is buying.
02 Writing · script & hook
I write the script and the hook. For UGC that is a spoken line. For a cinematic ad it is a shot list with beats.
03 Design · characters
Characters are designed once and locked as reference sheets, so the same face appears in every shot. This is the real cast sheet from my TSA short film.
04 Prompting · direction
Lens, light, camera move, mood. Each shot gets a prompt written the way a cinematographer briefs a camera crew.
05 Generation · takes
Shots go through Higgsfield, Kling, Veo and Runway. I choose the model for each shot and throw away most takes.
06 Sound · voice & score
Voiceover in ElevenLabs, music in ElevenMusic, sound design by hand. I also release my own music as MK Vines.
07 Post · the edit
Editing, captions, colour and sound, with the timing set for the platform the video will run on.
08 Delivery · final cut
The finished videos run as live ads and bring in sales for the people who hire me.

“I do the whole job myself. I look into what is trending in a niche, write the prompts, generate the footage, then edit and finish the video.” — Mashood Ahmad
I have spent the last five years working with AI, and for the last two I have made AI video full-time, mostly UGC ads and AI films. That covers Pixar-style animated ads, cinematic commercials, AI influencer videos and longer AI films.
The ads run as live campaigns, and they bring in sales for the people who hire me.


Off set
CLOSING CREDITS
Video projects for a telemarketing and BPO company with mainly US clients: AI ads, edited campaign content and hiring ads, from the first idea to the final edit.
UGC ads and product creatives for agency clients, including health and wellness brands like MedLife Club and a UGC campaign for a weight-loss product.
E-commerce with AI recommendations and voice ordering. It now runs as a premium fashion store.
Higgsfield
Runway
Kling
Veo
ElevenLabs
ElevenMusic
Revid.ai
MedLife Club
DRYP
Jabeen & Co · Prime BPO
DNAI · Eviseren
Mashood Ahmad is an AI filmmaker and video editor from Pakistan who works remotely with clients worldwide. He has worked with AI for five years and has made AI video full-time for the last two, mostly UGC ads and AI films. He is currently the AI Video Editor, Creator & Filmmaker at Prime BPO.
AI UGC ads, cinematic AI commercials, Pixar-style 3D animated ads, AI influencer content, AI short films, long-form AI video, horror and thriller clips, and edited brand videos with motion graphics. The ads run as live campaigns and bring in sales for the people who hire him.
Higgsfield, Runway, Kling and Veo for video generation, ElevenLabs for voice, ElevenMusic for music and Revid.ai, together with video editing, audio editing, prompt engineering and graphic design.
Yes. He researches what is already working in the niche, writes the script and hook, designs consistent characters, writes the prompts, generates the footage, adds voice and music, and edits and finishes the video himself.
Yes. Alongside AI filmmaking he edits existing footage: cutting and pacing, motion graphics, captions and kinetic type, colour grading and sound design, for brands, clinics and hiring campaigns.
Email kmashood335@gmail.com or message him on WhatsApp at +92 325 5901572. He works remotely with clients worldwide.
NOW CASTING · YOUR BRAND
UGC ads, a cinematic commercial, an AI influencer, a short film or an edit of footage you already have. Tell me what you sell and I will tell you how I would make it.